Change, Community, Communion, and Curation

It often seems unnecessarily radical to change one's ways of doing things.  When systematic ways are changed, either by brute force or previous failure, many many react negatively.  This is happening in Congress as the GOP-controlled House fights against the already-lawful-and-upheld-by-the-Supreme-Court-as-constitutional Affordable Care Act (Obamacare). It's something different, very different, being treated with hostility because of its difference and perceived (and somewhat realistic) hardships.  

Difference and change are difficult for so many to comprehend.

There are viable reasons for this. Many arguments made against Obamacare are valid and backed up by numbers and inevitable cost to typical Americans. In many ways Obama will take more money from each American in order to make health insurance for all Americans a reality.  It is very different from how America has traditionally treated her citizens since her beginning.  Valid concerns are heard, but change keeps on trucking.

The thing about change, historically, is that it is easily delayed but essentially unavoidable.  It only can be re-steered to go in the "proper" direction. Change is inevitable; direction of that change is somewhat controllable.

[Quick change of scene.] 

As a United Methodist, I have a common joke I make about our church: we are always 20 years behind.  It's only a joke but it strikes a strong chord on the reality guitar.  Take contemporary worship music for example.  Simply put, the United Methodist Church, for better or for worse, ignored the contemporary worship scene for years upon years.  "Contemporary" worship music pushed through the evangelical and hippie-ish movements in the late 60s and early 70s and began to refine itself in the mid-late 80s and early 90s.  Evangelical churches (read: non-United Methodist churches) were often the first to jump on board.  There might be many reasons for this, of which the fact that many of those churches do not submit to any larger governing body ought to be at the top, but evangelical churches by and large beat Methodists to this punch. United Methodists have moaned and groaned about how badly the music is written and how non-theological the lyricism is ever since, but the general public has seen some churches grow and some die.  United Methodist churches have been on the dying side of things far too often.

We are late to the game and they seem to be "winning." How to combat this then? Well, of course: We have to raise our numbers so that our church doesn't die! We must start a contemporary worship service! How then do we do that?  Well let's look at some resources.  Where are these resources?  Oh great, there are tons of resources available!  There is tons of music available! Who is providing this music? Oh! The Evangelicals. Great!  Let's hire a worship leader!  Great! Most of the good worship leaders are at the evangelical churches, so we'll get the pretty-good ones.  They should be able to lead the United Methodist Church into the next generation of worship! Great! This is going to be so great! 

And, what do we end up with?  We end up with a church whose tradition of well-written, theological singing is nearly lost because in the switch to the new medium/genre, we picked up someone else's tradition and theology simply because it was already there for us. We blindly took the cookie left for us without considering the consequences. Change came and we got on board and took the road-too-often-traveled without considering where it was taking us.

20 years behind, then, may mean that we need to curate a bit more than we'd expect.  What's the trade-off of simply using someone else's work?  What's the trade-off for our congregations and disciple-building? Have we fully examined this change, its constant insistence upon itself, and where our destination lies?

The same has happened in online communities.  Online communities, if you can believe it, are old now.  They began, essentially, with the advent of email and have continued to be refined and refined over time. What one sees in Facebook, and all Facebook is meant to be, is simply and refinement (albeit a very well done refinement with its share of quality innovations) of the original idea of communicating and communing online. Online communities may seem like a new thing to people (and maybe especially to United Methodists) but they're simply not.  Hey, United Methodists, you're late again.

And so we pick up where we left off. Many non-UMC churches are offering well-done online churches in which a church attendee can log on, converse with a online pastor, watch the worship service, and even pray online with the guidance of the pastor.  The difference is, of course, one doesn't feel the pastor's hand on your back as you pray; she's generally miles away from you.  This sort of idea isn't new, it's simply new to United Methodists.  A popular church in Florida is doing just that (a high school friend of mine is heading it up...you can check it out at www.engagemenow.net).  

The new conversation (happening right now in Nashville, TN) is whether or not United Methodists ought to offer the sacrament of Holy Communion over the internet.  Practically speaking, it's exactly as it sounds.  The viewer (and I use that term intentionally) provides their own bread and grape juice (or wine), while the pastor blesses the elements through your computer or TV screen.  It's along the same lines as that pastor praying over you but without being able to physically feel their presence...except it's with the sacrament of communion.

Perhaps this is an controversial concept to speak about because many of the other churches don't hold communion (Eucharist) in the same regard as United Methodists (or, if we're speaking honestly, maybe many of them actually hold it in HIGHER regard simply due to their insistence on the frequency of participation in Eucharist) . In other words, maybe Methodists are trying to graft United Methodism onto a medium and evangelism technique that someone else, someone different than us, already created. The difference is that the penalty for moving in that direction on that road of change is a loss of traditional practice that has been important to Methodism. In my mind, it's not much different than us trying to sing that one song and trying to change the lyrics because the song is so...like...Calvinist. We couldn't write a comparable one!  We just have to graft Wesleyan theology onto whatever trends come because we were late to the game and not innovative enough to pull ourselves out of the hole.

Goodbye, Wesleyan sense of community.  Goodbye, Wesleyan understanding of Jesus's presence in the Eucharist and the necessity of physicality for incarnation to be experienced.  Goodbye, sung Wesleyan theology with an emphasis on the unending and unchanging love and grace of God. 

I'll maintain until I die that change is inevitable and good in this world.  But, change comes with responsibility.  Change comes with the need for curation.  Change also comes with the need for innovation and outside-of-the-box mentalities. And, while all those seem so poorly connected, it is indeed necessary that they all work together cohesively so that the good parts of what we have are not lost. The danger of Calvinistic theology creeping into Wesleyan churches--even if only through the music--is, and has been, upon us.  The danger of cultural definitions of "community" and "experience" is creeping in on us and our livelihood is at stake.

Online communities are coming.  The challenge and calling is there for churches to attend to.  People want religion and they want to be online.  Ignoring it seems silly and simply jumping on the bandwagon blindly seems sillier. Change is necessary and inevitable.  Curation and innovation are necessary and often forgotten.

Let us not be so persuaded by a new movement that we forget who we are.  Maybe, just maybe, we can feed a need within our society in a new and better way.

-B

 

Why Christian Music Is Essential

I literally remember the moment.

It was on a school field trip and all of my peers had their Walkmen and assortment of CDs with them. One of the greatest pastimes of such trips was, as kids do, compare and contrast the assortment of CDs each friend had brought with them. I remember my friends having CDs of The Smashing Pumpkins, Blink 182, Smashmouth, Green Day, Nelly, and many other secular albums that were often stamped with that 'my mom doesn't know I have this' EXPLICIT stamp.

My collection of CDs, though, was quite different. It was made up of dcTalk, Michael W. Smith, Newsboys, Steven Curtis Chapman, and many others. I loved that music. It was the music on the radio I listened to and I listened to it constantly. That fact alone was not enough though to keep me from being embarrassed when I was around the kids with the 'cooler' music. I was so embarrassed that I even moved dcTalk's albums to the front of my CD binder (remember those things?) because their album artwork would at least look cooler than Michael W. Smith's. The horror as a youngster of being caught listening to music that wasn't 'cool' was more than I could bear.

I liked my music. I just wasn't proud of it.

One peer even said to me (I remember this word for word), "I like the music to Christian music, but the words suck." To which I responded, "Oh yeah, I only listen to the music anyway. I don't listen to the words."

Wait, what?

What kind of an idiot was I? You don't listen to the words!?!? What a MORON!!! Of course you listen to the words, Bryant! That's the whole point!!!

But, you know, saying that would have meant that I submitted to the lyrics that he said, "sucked." I would not be caught doing such a thing as that.

(In seminary we talk all the time about pop Christian lyrics 'sucking.' But, we speak of them in terms of theological shallowness, not in terms of whether they are cool or not.)

I really was stupid. Either that, or I didn't realize the truth behind our faith. The truth is that everything we do forms who we are. The way we worship in church forms us into who we are. The things we watch on television form us into who we are. The things we read form us into who we are. The same is true of the music we listen to. These outside influences affect the way that we interact with God, each other, and surrounding communities.

This is why Christian music is essential. We need something that defines the Church and the disciples of Christ lest we risk allowing our children (and, let's be honest, us) to be influenced by other non-Christian, non-Holy influences. I no longer worry about whether listening to music that speaks the Gospel is cool or not, because I know that what I listen to is forming me into who I am. And, forgive me, but I'd rather that influence be something inspired by Christ rather than the sinful ways of the world.

Therefore, I give praise for the witness that Christian music, in whatever form, style, or genre, provides.

The next step, as we often lament in seminary, is to actually say something. "Falling in love with Jesus" was ok when we first realized the issue of American music. Now, it's time that we take this formative aspect of music one step further and use it to form disciples who can actually articulate something theological. Our next step is to recover the depth that many of our founders clung to.

Wouldn't that be something!

-B

I Hated the Organ Because Of Church (A Confession)

I grew up in a contemporary church world with music played by guitars and four chords.  I went to traditional services and hated every minute because they were 'boring.' As I've matured, I've realized that I disliked many of the hymns not because of their content (although a lot of the language no longer makes sense in today's context) but because the way we sang them was...painful. I've listened to countless arguments on why contemporary, modern music doesn't belong in worship context and I've expressed via this blog before that I think those arguing that are wrong.    I've kind of looked down upon the organ as a legitimate instrument for much of my life. They were expensive (I once heard someone arguing for traditional music yell at me for my use of a Taylor guitar because it was 'lavish'), hard upkeep, and generally boring to listen to. I thought of them as the 'old way,' once used to decorate unnecessarily lavish sanctuaries and provide a huge sound, one that is getting closer and closer to being able to be replicated digitally. And, we can conquer their original purpose with audio amplification.    They were cool I guess, but the church ladies never let me play it, so I had a bad taste in my mouth. You had to have the special shoes. Ugh.   I guess I just thought they were antiquated.    Duke's Divinity School is incredibly fortunate to have a stellar organist in David Arcus,and I've spent time in very traditional services at Duke enjoying his art.   

This guy below, though, changes the game. 

 

I seem to remember being shown something by this guy a ways back, but his art is indescribable here. Watch this three times to get the full effect. 

 

[youtube=http://www.youtube.com/watch?v=Ygb-IQNUCJI&w=640&h=385]Don't miss his CBS (old) appearance either. [youtube=http://www.youtube.com/watch?v=T3ApgF2s3LQ&w=640&h=385]-B