"Not that": An Observation of 'Contemporary Worship'

The more and more people that I speak with that are at least remotely involved with church life, the more questions come up about my opinion and experience with 'contemporary worship.'   They like to pick my brain, ask my preference, and get a sense for how I feel like worship in the church ought to be.  Yes, they often have their own preconceived responses and notions regarding the style of music used within the Church. The questions range. "What do you think young people are into?" "Don't you think 'traditional' worship is a turn off for young people?" "Don't you think contemporary worship is too hoaky these days?" "Is it possible to plant a church that only uses traditional worship?" "Does Chris Tomlin every write any good songs?" "Don't you think hymns are just boring?" "What's the purpose of the flashy lights? To try to be something we aren't?" "Aren't choirs outdated?"

Contemporary worship, though, is the newcomer in this game.  In many ways, it has to prove itself.  Somewhere around 50 years ago or so, the Beatles invaded America, forever changing pop music and rock and roll. This, along with the decline of mainline church membership in the United States sparked new ideas.  People left the mainline denominations to be 'non-denominational' in an effort to do church differently.  That was the goal: do church differently.  Maybe then, perhaps, people might think about coming back.  If we just aren't 'that,' maybe they'll be more likely to come back.

In a sense, then, Contemporary Worship (with a common low-key liturgy and more culturally-relevant music) became "Not That" worship.  See that stuff the Methodists are doing?  We aren't that.  We're cool.  We're hip.  We're reaching out to young people.  We are meeting you where you are.  You can wear jeans to our church.  That's the way we are.

This type of church is the church that I was born into.  We still were a part of the big Baptist church downtown, but we were open to those who had never been to church before.  We didn't have cryptic creeds.  We didn't have strange liturgy.  We watched movie clips and played slide shows.  We had drama. Our pastor preached from behind a music stand rather than a pulpit.  I was born into a church that was trying to make church relevant to a society that it wasn't relevant to.  What we did, in the early 90's, was to be "not that."  For peope too intimidated or scared to attend traditional worship, we were "not that."  We called ourselves the "Seeker Service" so that those who were 'seeking' could find a place to feel at home.  Too intimidated by the choir robes and organ?  We aren't that.

So, if this is true, and it was truly meeting a need, why aren't all churches like that now?  Why are there young adults begging to go back to the traditional services? Why are large portions of people leaving NOT ONLY the mainline denominations, but also the nondenominational churches?  If being 'not that' was supposed to save the church, why are we drowning more than ever before?

I'll tell you why.  We stopped.

It isn't 1995 anymore. What was hip and cool then is not hip and cool now. What drew people in because it wasn't 'that' then, pushes people away now.  'Contemporary' has become a way of saying 'not that' and it has done so in a permanent sense.  This is why so many 'contemporary' services feel hoaky.  This is why many young people want to return to traditional worship.  This is why when you hear about contemporary worship, you ask yourself if it is emergent or 'contemporary.'   Oddly, those leading the traditional services never went out of their way to reach the young people and different generations; it's very much a "take it or leave it" situation.  Some choose, for many reasons, to take it. Many, sadly, are choosing to leave it.

'Contemporary' was great when it needed to be. But it is stuck now.  Sure, churches like Hillsong and movements like Passion are successful, but by and large 'contemporary' music in many (especially mainline) churches is simply stuck.

'Contemporary' has to move forward. 'Contemporary' has to continue to be what it's high and lofty goal was (an environment that allows those on the outside access to the inside) instead of what its not-so-just goal was ('not that').  It has to be as innovative as it once saw itself being.  It has to live into its title.

In order for us to justify our worship style, no matter how it exists, we need to be able to articulate it in a way that explands the Kingdom.  Otherwise, it has little reason for being. This is true for traditional worship.  This is true for 'contemporary' worship.  Our worship should be creative.  Our worship should be innovative.  Our worship should remind of of who we are.  Our worship should define who we are.  Our worship should convey to those within it that the Church is thriving, moving, changing, and growing disciples. Our worship should be, of course, worship...reflecting the God who breathes life to the people.

We cant have 'not that' from either side.  We need quality, strong, theologically sound worship in both environments (and perhaps more to come).  That's when it finally becomes quality worship and we can **finally** get out of the way.

-B

I Hated the Organ Because Of Church (A Confession)

I grew up in a contemporary church world with music played by guitars and four chords.  I went to traditional services and hated every minute because they were 'boring.' As I've matured, I've realized that I disliked many of the hymns not because of their content (although a lot of the language no longer makes sense in today's context) but because the way we sang them was...painful. I've listened to countless arguments on why contemporary, modern music doesn't belong in worship context and I've expressed via this blog before that I think those arguing that are wrong.    I've kind of looked down upon the organ as a legitimate instrument for much of my life. They were expensive (I once heard someone arguing for traditional music yell at me for my use of a Taylor guitar because it was 'lavish'), hard upkeep, and generally boring to listen to. I thought of them as the 'old way,' once used to decorate unnecessarily lavish sanctuaries and provide a huge sound, one that is getting closer and closer to being able to be replicated digitally. And, we can conquer their original purpose with audio amplification.    They were cool I guess, but the church ladies never let me play it, so I had a bad taste in my mouth. You had to have the special shoes. Ugh.   I guess I just thought they were antiquated.    Duke's Divinity School is incredibly fortunate to have a stellar organist in David Arcus,and I've spent time in very traditional services at Duke enjoying his art.   

This guy below, though, changes the game. 

 

I seem to remember being shown something by this guy a ways back, but his art is indescribable here. Watch this three times to get the full effect. 

 

[youtube=http://www.youtube.com/watch?v=Ygb-IQNUCJI&w=640&h=385]Don't miss his CBS (old) appearance either. [youtube=http://www.youtube.com/watch?v=T3ApgF2s3LQ&w=640&h=385]-B

"Wrong Worship"

Divinity School has been busy. Sorry it's been so long.

Give the next few minutes of your life to this clip.

[youtube=http://www.youtube.com/watch?v=ZJp98hoqy5I&w=640&h=385]

It is evidently a clip used in a sermon illustration at what appears to be First Baptist Church in Orlando, FL.

I've been to the church before. It's huge and their growing services are almost all in the contemporary style.

It seems to me that out of context this might appear to be a treatise against contemporary music, the performance-based nature of the art, and the sad reality that has come with the modern church.

I think this is what many people see when they see contemporary music. I think this is what many think of when they think of modern worship.

While I think the video makes some great points about the me-centered church and cultural bindings that have come with the modern church movement, I also worry about the danger it brings to those who criticize the modern church and contemporary music. Are some of the songs sung "hymns"? Sure. But, the giant stage, lights, microphones, and everything else that comes with it may add fuel to the raging fire around what seems to be a growing dislike for the modern worship movement.

It's an interesting introspective look at what modern music has done to our world, the dangers that lie within any type of musical worship literature, and it surely will serve as an accountability measure for the faith community.

Funny, too.

-B

Creativity in Worship...and Why We Are Wrong

One of the things that I find myself thinking about a lot (at times, too much) is the actual experience of a worship service. I try my best to attend a variety of services and even participate in as much as possible in many different roles. I think it's because of the incredible amount of emotion that is called forth when people gather together to give praise to God that I am so drawn to it. A good worship service (no matter the style) evokes the emotions in a way that allows God to enter into the worshiper's heart. This is why we place things of the utmost importance (baptism, communion, etc) inside of these services. These times that we get together as a body of Christ are the times when we connect and grow together. They are important.

As I have mentioned several times, I was a child of the "contemporary movement". You know, guitars, keyboards, drums, lights, and gyms instead of sanctuaries.

It was my definition of church.

Because of this, we rehearsed music, dramas, transitions, and the like in order to create an experience that flowed well.

Those of us who still participate in this practice today get accused of making this experience a form of "entertainment". Like going to a movie theater. For a while, I nodded my head and bought into their arguments. I go to school with many of them.

They were, and still are, wrong.

The argument, as I best understand it, has to do with whether or not church should be entertaining. To them, if church is something that you can go to, enjoy, be anonymous, and not have to commit to, something is wrong. And...the argument is that this new form of worship enables this attitude toward worship and church. It was a fair argument because of the naming of the services. My home church growing up called the service, the "Seeker Service". The name implied that the real Christians, those no longer "seeking", went to another service. As if us Christians aren't always seeking. This implication wasn't the intention though. To outsiders, it may have seemed so.

The other half of the argument was the stupid part. Whether or not they admitted it, they just didn't like this form of worship. So the whole "holier than thou" mindset was a good way to argue against it instead of admitting that it worked.

I sang with the Duke Divinity Gospel choir the other day.

I have sung in worship services since before I can remember. I have led worship for big groups, small groups, in contemporary style, and sung in choirs in traditional services. I have even lead hymns from the guitar.

But I have never really sung in the tradition of the African American Church. One of the things that I noticed was the flow of the service. We sang our songs and the congregation followed along as well as they could. The songs went on for a long time, and involved both the choir and directors interacting with one another. The lead soloist lead us through "Sanctuary" and used techniques to interact with the congregation so that they were "along for the ride". It was awesome.

My realization: the service was truly creative. One of the songs we sang had two parts. The director lead us through it, showing us what to sing, when. There was no sort of "Verse, Chorus" outline prior to the service. It required him to interact with us and us with him. It required him to interact with the congregation.

It required creation to happen.

My belief is that God created us to be creative and I TRULY think that he is OFFENDED when we don't use those talents and gifts inside of our worship services.

Many advocates of traditional worship would argue that their organist is creative. He or she probably is. Many of them would argue that those who write the music for their services is creative. He or she probably is. Many of them would argue that their pastor is very creative. And then their friend sitting next to them (also an advocate) would elbow them in the side because they know that it isn't true.

But in that argument, they would argue against being even more creative in a contemporary setting. Why? Because they don't like it, it makes them uncomfortable, or it's hurting the attendance of their services.

Today I was reminded of what creativity in worship can include. These are pictures from a man who calls himself a "worship VJ" and uses software from Renewed Vision (primarily PropPresenter and ProVideoPlayer) to portray an immersive experience behind the musicians that are leading in worship. You can follow him on twitter at @worshipvj or his site at worshipvj.com

I think that this use of technology and creativity only adds to an experience that helps to connect those who participate, to God.

Lots of people disagree with me.

Again, I believe them to be wrong. I think God rejoices when we use the gifts he has given us to praise him in new ways.

If, somehow, this requires that the lights to have to come down, and that techniques that we used to only see either in movies or theaters have to be used, so be it. This is church. We should be incorporating the brilliance of God's creation in our ongoings before anyone else. And yet we don't. Because we are concerned about tradition.

And because we are wrong.

Let's rejoice in the variety of worship forms. Let's rejoice in creativity no matter where is appears. Let's rejoice in what God is doing in our churches, no matter their "style", and invite others to partake and experience it as well.

-B

**Apologies to those who got the preprocessed notification of this via email. My fat fingers accidentally hit the Publish button and there was no going back**